This is a post of simple observations and thoughts. Objectivity may not apply.
This line sums up the issue:
“The lack of control for a guy like me. The randomness of it all. I needed to be the master of my universe.”
– Detective Hall
And it’s delivered by a supporting cast member whom we’ll likely consider just another cop in a super hero comic. Detective Hall hates super powered “crap” as he puts it. The phenomenon disrupts his day and makes his job as cop just a tad bit harder. Though he seems to simply be complaining, Hall does speak a fair amount of truth with his statement. At least, truth for Marc Spector’s character.
I’ve focused mainly on Marc Spector’s psyche in my discussion of the Bendis run, and I don’t really see my focus changing anytime soon. Like most Moon Knight comics, the book appears to be shaping into another long form study of the character, but I’m giving Bendis some credit because I actually feel he’s taking this misbegotten property into new territory. That’s what really hit me this issue. Moon Knight, besides the here-and-there use of the Avengers cast, is riffing on a fairly new set of components.Whether it’s the setting, supporting cast, or protagonists themselves, this Marvel comic contains an actual bit of world building. And you can feel it. How? Through the simple fact the focus is on a pair of characters you rarely ever read about.
Whether this series runs 50 or 11 issues (which is quite possible when you consider the sales chart), I believe at its end it’ll be safe to say Bendis and Maleev made a legitimate contribution to Moon Knight. So far the series has done a solid job of echoing the character’s known core, but both artists have taken the steps to actually expand upon the concept. We need to remember that Doug Moench’s baby still has plenty of room to grow. Besides Charlie Huston’s first 6 issues, the character hasn’t been developed much at all since the original 80s series. Spector’s just been stuck in a vacuum … left untouched because the character’s been easily labeled Marvel’s Batman. Bendis and Maleev, though … these dudes see the possibilities, and like the Marvel Universe’s west coast, they see this character as an underdeveloped frontier.
When Hall says super heroes only create confusion and inhibit control, the character really comments on Marc Spector’s condition. I noted in my first post about the series that Bendis took the character’s usual roster of 3 faces and multiplied it by 2 – making Spector the owner of 6 personalities. Up unto this point though, we’ve only known Spector as a TV producer type. We know he wears a costume, but we haven’t seen it; the costume has had little involvement. But now we get to actually see .
Issue 5 dedicates half of its pages to examples of failed super heroics. First, Spector completely goes against local law enforcement and starts a small riot. Second, he abandons his woman of interest as well as partner in order to get to safety. Third, Spector takes several punches to the face when the typical trope would involve a passionate make out session. Three solid instances in which we are exposed to Marc failing as Moon Knight. Three pure instances of induced confusion.
And that’s what it all goes back to, really. Confusion – a one word diagnosis of Marc Spector.
“The lack of control for a guy like me.” “I needed to be the master of my own universe.”
That’s Marc Spector’s conflict and motivation broken down into two lines. Super heroes remove the order from his life, but he can only achieve superiority and individuality with them. Let the internal conflict fly. And, think, Bendis hasn’t even dropped Spector’s own personal god Khonshu into the equation yet. When that happens … all bets are off.
I love how Maleev draws Moon Knight’s face under the cowl. The white eye slits amidst all the black comes off as very abstract. The face itself even seems to move a bit due to a suggested Rorschach quality.I mean, it makes sense. The book is all about shifting identities.
The entire issue shows off a lot of Maleev’s skill as a storyteller. The art here completely removes any notion of his work being stiff. Rather, it’s fluid. The fights move. Pages offer various panel distinctions. I even simply like how Maleev illustrates the character getting around town, whether its via his glider cape or surfing on car tops. Paired with colorist Matthew Wilson, Maleev creates a vibrant, visually striking Moon Knight comic not seen since Sienkiewicz.
I do like that Maya punches Marc in the face. It proves the character’s missteps, but also gives their relationship an interesting dynamic. Once was enough, though. I faced an issue with just how many times she hits him. Not that I find it offensive. And, man, Maleev illustrates the sequence in brutal fashion. I just found it pointless. One, single fist to the face conveyed the point. Repetition only hit the point over the audience’s head. A misstep.
For a guy who created a super hero/crime comic, the interrogation scene was a nice return to form for Bendis, and the scene shows he still has it in him to create a poorly lite, tense back and forth. Maleev draws the talking heads in exciting fashion, and I like how the addition of a simple brick wall really cements the atmosphere.
That’s all I have. Issue #5 … in the books.